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Ruscha, Ed ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Ruscha, Ed Course of Empire: Paintings By Ed Ruscha
Ostfildern-Ruit, Germany Hatje Cantz 2005 First Edition Wraps Fine Issued Without Jacket Ex-Museum Library
58-page catalogue for the Ruscha exhibition at the United States Pavilion at the 51st Venice Biennale (2005). Essays by Donna De Salvo and Linda Norden, Joan Didion, and Frances Stark. Text in English and Italian. Illustrated with 10 color plates of the paintings, which Pop-Realistic in nature and based on Ruscha's 1992 Blue Collar series of an aging urban landscape. This copy withdrawn from a museum library, with stamps to title page and last page, taped spine label, and card pocket glued inside rear cover. Otherwise, Fine in wraps as issued.
Price:
60.00 USD
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Woelffer, Emerson and Ed Ruscha [curator] Emerson Woelffer: A Solo Flight
Los Angeles California Institute of the Arts [REDCAT] 2003 First Edition Stiff Wraps As Issued Fine Issued Without Jacket Signed by Author
Catalogue for an exhibition held November 16-December 28, 2003, illustrated and supplemented by 34 color plates, many photographs of the artist and others, "reflections" by fellow/sister artists, remarks by Ruscha, and a fine essay by Gerald Nordland (who has SIGNED this copy on the Contents page). In addition to the exhibition catalogue, there are a chronology, selected exhibition list, and a selected bibliography. It's about time for Woelffer! Fine in stiff wraps as issued.
Price:
50.00 USD
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Ruscha, Ed I dont Want No Retro Spective: The Works of Edward Ruscha
San Francisco CA Hudson Hills Press 1982 First Edition Stated Stiff Wraps As Issued Fine Issued Without Jacket
184-page monograph published to coincide with the like-it-or-not retrospective at the San Francisco Museum of Modern Art ( March 25-May 23, 1982) that later traveled to the Whitney (July-September 1982), Vancouver (October-November 1982), San Antonio (December 1982-February 1983), and back to LACMA (March-May, 1983). There are an introduction by Anne Livet, a foreword by Henry T. Hopkins, and essays by Dave Hickey and Peter Plagens, plus an exhibition checklist, a detailed chronology, a selected bibliography, and so on. But most of all, there are the plates: in color where appropriate, including a number of foldouts (to do justice to those tonal color pieces he was painting in the late 70s), lots of his word art, and whatever visuals represent his various performances. A comprehensive resource, produced at just the right time. Fine in stiff wraps as issued.
Price:
55.00 USD
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